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Eight of the tunes are the pianist’s, some revisited from earlier groups. The approach is  more direct and accessible than the improvisatory tack Iyer took on records with Craig Taborn and Wadada Leo Smith. The non-originals are Geri Allen’s Drummer Song, whose tricky architecture sounds thoroughly natural here, and an inventive, rhythm-heavy take on Cole Porter’s Night and Day.

The nine-minute title track does indeed start in uneasy minor-key mood with meditative, pensive piano. This gives way to a lyrical passage from Oh, subtly supported by her bandmates. The energy then builds in waves with Iyer letting fly propelled by increasingly

stormy percussion until a calm of sorts descends. It’s a resolution, though not exactly a happy ending.

But if the theme of the album is uncertainty then, ironically, that restlessness has inspired a hugely confident-sounding trio. A candidate for the best of 2021 lists? I should think so.

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